Winner of the Grand Jury prize for documentary at Sundance, Eugene Jarecki’s “The House I Live In” is a much needed and in-depth analysis of America’s longest war – the war on drugs.
The facts are blunt: After 40 years, the war on drugs has resulted in 45 million arrests, cost 1 trillion dollars and led the U.S. to amass the largest prison population in the world. These facts alone are disturbing, to say the least, but the raw numbers only provide a one-dimensional picture of what has transpired under the American prohibitionist regime.
With “The House I Live In”, Jarecki has constructed a compelling history of America’s drug war through the deeply personal stories of those who live it, not just the gangsters or DEA agents, but the drug war’s working class.
The film strikes a balance between examining the systemic ills that plague and sustain American drug policy and demonstrating, on a deeply personal level, how these policies ensnare individuals, and in turn, those individual’s families and communities.
Naturally, this is an American story that focuses on class and race issues unique to the U.S. But this doesn’t mean it isn’t relevant to a Canadian audience. Quite the contrary, The House I Live In provides a cautionary tale for Canadians. One of the dominant themes of the film is how destructive and restrictive mandatory minimum sentences for drug offenses are; how they clog prisons with long-term inmates arrested on minor drug charges and hamstring the judiciary in its ability to show discretion.
When the federal government first proposed to introduce mandatory minimum sentencing in Canada under its “tough-on-crime bill” it received numerous pleas from former and current U.S. law enforcement officials to reconsider and abandon the legislation, as it had proved a catastrophic failure down south.
A letter delivered earlier this year from members of Law Enforcement Against Prohibition to the Canadian government read:
“We are … extremely concerned that Canada is implementing mandatory minimum sentencing legislation for minor marijuana-related offences similar to those that have been such costly failures in the United States. These policies have bankrupted state budgets as limited tax dollars pay to imprison non-violent drug offenders at record rates instead of programs that can actually improve community safety.”
But the government rejected this advice and went ahead with the legislation, leading Canada to replicate the mistakes the U.S. began to make some sixty years ago. Beyond the film’s many merits, this exploration of the side-effects of mandatory minimums will prove especially pertinent to Canadians now that the Safe Streets and Communities Act has been written into law.
“The House I Live In” is an urgent and vital film, one that seeks to inspire and mobilize its viewers to take action – and it works. This is no small feat, given the sprawling and complex nature of drug war politics. The CDPC is currently working on bringing the film to Canada, so make sure to check back here for information on screenings.
